EndFrame reads your transmission schedule, matches every title to its key art, builds the endboard in After Effects, assembles the tail in Premiere, and writes every delivery filename to your broadcaster's exact spec.
DRAMA_THE_LONG_WALK_HOME_PROMO_30SECS_HD.movDRAMA_RIVERBEND_PROMO_30SECS_HD.movSERIES_SECOND_SUNRISE_PROMO_30SECS_HD.movSERIES_THE_QUIET_HOUR_PROMO_30SECS_HD.movDRAMA_NAMES_WE_KEEP_PROMO_30SECS_HD.movEvery title is matched to its key art with a confidence read, and anything doubtful is held back for you rather than quietly rendered. A wrong date or another show's artwork reaching playout is not a small mistake, and it is not one you find until somebody outside the building sees it.
Point it at your own project. It reads the comps, proposes what each layer should hold, and you correct anything it got wrong. Nothing to rebuild and no house style imposed on you.
The batch renders unattended, the tail is assembled in Premiere, and every file lands named to your delivery spec. You come back to finished work, not a queue.
The After Effects half builds the boards. The Premiere half preps the job and ships the delivery. Most editors live in one or the other, so you buy the half you actually work in, and only pay for both if you run the whole chain yourself.
Builds the boards, from schedule to rendered file.
Preps the job, assembles the tail, ships the delivery.
Running the full chain yourself? The two halves hand off to each other: boards rendered on the After Effects side are picked up automatically by the Premiere side. Take both for $69 a month rather than $90.
Nothing uploads anywhere. Everything happens inside the Adobe app you already work in.
Give it your schedule file and your key art folder. It reads the column names your schedule already uses, so nothing has to be reformatted first.
Every title is matched to its art and shown with a confidence read. Anything uncertain is held back for you to confirm, rather than quietly rendered wrong.
The tail goes onto each promo, every file is named to spec, and the batch exports. What reaches playout is already correct.
Download it and it runs for 7 days from the first time you open it, with the After Effects and Premiere sides both unlocked. Decide which half you need after you have actually used it, not before.
One download covers both apps and both platforms. Installing it once puts the panel in After Effects and Premiere Pro, on macOS or Windows — there is no separate download for each, and your licence key is entered once for both. Install it with ZXP Installer, or use the .zip if you would rather run a plain installer — it carries one for each platform.
After Effects and Premiere Pro 2022 or later. Setting up and using it, step by step: the EndFrame guide (PDF).
Every plan starts with a 7 day free trial. No card up front, and nothing renews until you decide to keep it.
For the editor making the endboards
Billed monthly. Cancel any time.
For doing boards and delivery yourself
Billed monthly. Cancel any time.
For the editor cutting and delivering
Billed monthly. Cancel any time.
Every tier here includes both the After Effects and Premiere Pro halves. Studio and Broadcaster also include the setup: send us your endboard template and delivery spec and we configure it for you rather than leaving you with a settings file.
For two to four editors sharing the work
or $590 per editor a year — two months free
For a post house or a small promo team
or $2,490 a year — two months free
For a channel group or a whole facility
Pilots available if you would rather prove it on one channel first.
Better you know now than after paying.