Poster folderFolder of key art, one image per title
AEP templateChannel endboard template
Output folderWhere the ProRes files land
EndFrame will read the template you picked above, then propose
what each layer should be filled with. Check the proposals and correct anything
it got wrong — it flags what it is unsure about rather than guessing.
Schedule
SCHEDULE PREVIEW APPEARS HERE
Pick a schedule and a poster folder.
EndFrame pairs every title with its key art before anything renders.
Assembly
How the tail is assembled
Appends, in order, onto each checked sequence's own new top video track (adding
one if none is empty): the endboard you rendered on the Endboards tab, a channel
ident matched to the category below, then the DSTV/GOTV bumper — video
only, no audio. The tail overlaps the promo's own last second by about 1 second.
Endboards outputNot selected
Idents folderNot selected
DSTV/GOTV bumperNot selected
Priority times
The stretch of each clip that always plays, as timecode. Rounding to a
multiple of the step below is absorbed by expanding outward from
these ranges — never by cutting into them.
Sequences
Click Refresh to list every sequence in the open Premiere project.
Finishing sequences runs in Premiere Pro. Open this panel there
(Window > Extensions > EndFrame) to append endboards, idents, and bumpers.
Delivery naming
How names and durations are derived
Titles are read from the sequence name and the duration is measured from the
sequence itself. Loosely named sequences are flagged so you can correct the
title inline before anything is queued. The extension follows whichever preset
is selected below. Category "NONE" skips this template entirely and exports
using the sequence's own name, unchanged — for anything outside your
regular delivery convention.
Export toNot selected
Scope
Premiere can't report which tabs you have open — only every sequence
in the project, or the single one you're looking at right now. If
you have several tabs open, use “All sequences” and check
off the ones you want.
Sequences
Click Refresh to list every sequence in the open Premiere project.
Sequence export runs in Premiere Pro. Open this panel there
(Window > Extensions > EndFrame) to list and export sequences.
1. Schedule
Why pick a schedule here
Pick this first if you want titles ordered by broadcast date and grouped by week
below — optional otherwise. Shared with the Endboards tab's own Schedule CSV, so
picking it on either tab fills in both.
CSVNot selected
2. Organize raw dumpoptional prep step
What this does
Point this at a flat folder of raw clips that has no title subfolders yet —
it matches each file to a title from the Schedule CSV above and proposes filing
them into one subfolder per title, ready for Source below. Needs a schedule
loaded first. Nothing on disk moves until you press Organize; anything it can't
confidently match is left alone and listed separately.
Raw folderNot selected
DestinationSame as raw folder
Mode
Last run
3. Source
How the folder should be organised
Pick one folder that has a subfolder per title (e.g. a "Trailers" folder with
"BRIDLE", "IMA", "SCARS AND PROMISES" inside it, each full of that title's raw
clips). Every subfolder becomes one sequence or comp, named after the folder,
all created in one go.
FolderNot selected
How the bin should be organised
Pick a bin already in this project that has a sub-bin per title. Every sub-bin
becomes one sequence or comp, built from clips already sitting in it —
nothing gets re-imported.
Resolution
4. Titles found
How this list is ordered
With a schedule loaded (above), titles are grouped by week and ordered by
broadcast date within each — any schedule title with no matching footage shows up
greyed out. Click a title's file count to check/uncheck individual clips, or use a
week's own "Create" button to build just that week.
Pick a parent folder above — every subfolder with video files in it will show up
here.
Sequences in this project
Click Refresh to list what's already in the project.